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| (Lennon/McCartney) |
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| "Yesterday" is the most requested song in the history of music radio. I don't know if there is a more natural sounding song that I can think of. The lyrics go so perfectly with the melody, and the lines are all connected to each other with such consistency that you automatically want to sing along to it. And that gets straight to the heart of what songwriting is all about. |
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| There are two sides to "Yesterday", the technical, and the personal. Starting with the technical, the chords used fit together and the progression is so logical, but to me, it's the connecting pattern between the chords that hold the interest of whoever is listening. If you really listen carefully, you can hear three steps after each chord that go right into the next one. They are very subtle, and almost subconscious in a way: |
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| "Yesterday, all my troubles seemed so far away, now it looks as though", etc. 1,2,3 1,2,3 |
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| Those three steps make you care about what's coming next because you're not just waiting around for the next line, they take you there. This is a technique that's used in a lot of Beatles songs, and if used in the right way, it's one of the best things you can include in a song. The key is not to overuse it, and it won't work in all songs, so you have to be selective. With "Yesterday", the other great part is that the steps are highlighted and brought to the center of attention with these lines: "Why she had-to-go, I don't know"; "I said some-thing-wrong" 1 2 3 1 2 3 |
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| By putting the technique in front like that, Paul is making the connecting steps between the verse lines even more effective because now when you hear them, they will not only hold your interest, but they will also remind you of something you have heard before. The lyrics in this song are so honest, it's like someone is confiding in you. And that's the personal part I was talking about earlier. |
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| There is a certain level of vulnerability in the way it was recorded that connects with people. It's a simple arrangement, just a guitar, vocal, and an awesome string section. Because of that, it feels like he is sitting in the same room as you, just playing the guitar and singing. That brings out the personal aspect of the lyrics, and makes it a lot easier for people to relate to. "Yesterday" is s song that could have been produced like other ballads (with electric guitar parts/solos, drums, etc.), and it would still probably work really well that way, but it would lose the intimate setting that supports the honesty in the words and their meanings. The way it is involves the listener and makes a special connection with them, it's like you know him, you feel for him, and you want to help him. |
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| I think you could literally go on for hours about why "Yesterday" was such a great song, and it would be very easy to over analyze everything about it. But the bottom line is that it worked because it was involving, personal, and it connected with audiences everywhere. Studying it from the inside out is a good way to see just how well written it really is. So, the next time you hear that familiar guitar strumming and those famous first words, (while you're singing along), really listen to it, and you'll be able to hear for yourself exactly why it's the most requested song. As far as songwriting goes, it's definitely no less than a masterpiece! |
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| Click here to see how I can help you become the ultimate songwriter! |
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